Hans Zimmer is undoubtedly among the most famous composers of all time. He’s done countless movie soundtracks, winning awards left and right, but did you ever ask yourself how does he do it?
Zimmer does almost every score himself, creating Oscar-worthy pieces that capture the hearts and minds of moviegoers all over the world.
As anyone in the audio industry, Zimmer uses programs known as DAWs that assist him in creating his masterpieces.
These DAWs have improved over time and become more accessible to the larger public.
While some are free and others expensive, this also makes people strive to create their works of art.
If you want to know which DAW Zimmer is using, you’ll have to read on, because it’s a bit surprising.
Hans Zimmer doesn’t use one, but two DAWs or “Digital Audio Workstations,” each with its own set of benefits to ensure that he has the best workflow possible.
The two DAWs he uses are Steinberg Cubase and Pro Tools. During one of his Masterclass sessions, he explained that he uses Cubase Pro because he has always worked on it.
Since he picked it up early in his career, it has essentially become a habit for him to use it.
It’s on Cubase Pro where Zimmer creates and edits his auditory masterpieces. Recording instruments, adding virtual ones, editing audio files, and producing his score.
Pro Tools and Cubase Pro also work well together, allowing Zimmer to create with both DAWs and move between them swiftly, increasing his productivity.
Zimmer uses Pro Tools thanks to its better integration between audio and video files. This is important when working on audio files for movies and TV shows.
What’s more, to get the best out of each DAW, Zimmer uses his technical and sonic knowledge.
Zimmer also needs to complete projects quickly, so relying on each of their strengths to produce an amazing final product in the shortest amount of time is critical.
This is how you can find him doing several shows/movies/projects in the same year.
There are all kinds of different DAWs available, each with its advantages and disadvantages.
Some can be for free but have limited capabilities, while others are full of options but are expensive and complicated to use.
The best way to choose the best DAW for you is to visit the program’s website and see if there’s a trial period.
During this period, test the DAW out and see if it’s a good fit for you. You can do that by creating a project and seeing how the workflow goes.
If you find it too complicated, try another one until you reach the DAW that you’re comfortable with.
Thankfully it’s a diverse medium that helps keep the workflow going in anything related to the audio industry.
Try new things and experiment when it comes to DAWs! You don’t know what you’ll get and which program you’ll fall in love with.
Remember that the most important factor is to mix your sonic knowledge with your technical one as Zimmer does so that you get the best outcome possible.